![]() This technique is to play any note in the chord above the seventh. Secondary arpeggios (playing the upper-structure of chords)Īnother technique used by many jazz musicians is to play the upper-structure of chords. How To Play The Upper-Structure of Dominant 7 Chords? ![]() Remember that an arpeggio is a chord whose notes are played one by one. When adding the minor seventh to the same triad you get a dominant 7th arpeggio. By adding the sixth (6) you get a sixth arpeggio. The chart below shows you how to build a major triad, sixth and dominant 7th arpeggios from the Mixolydian mode.Īs you can see a major triad consists of a root/tonic (1), major third (3) and fifth (5). ![]() There is only one difference between the Ionian and the Mixolydian mode, this is the minor seventh b7. How To Build Chords From The Mixolydian Mode?
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